i_speak_softly (
i_speak_softly) wrote2012-06-10 07:25 am
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Fifty-Ninth Theory [Voice/Action]
[After the experiment ended, and as summer came to Luceti, Don settled into a new routine. In the morning, he leaves his house, walks up the path to the barracks, and takes the teleporter to the beach. He runs several miles along the sand, then dives into the sea and swims back the same distance. Then he practices some magic, manipulating Wind or Water in any place that strikes his fancy, or moving to a rocky part of the shore to work with Earth.]
[By late morning he's home again, and after lunch he heads out to the smithy. He spends several hours in a back room, working on mysterious projects, then emerges again. He often visits the library afterwards, and in the evenings he can be found around the village, studying a book. Then home to sleep, and he starts all over again.]
[Today Don's projects are finished. He hauls the pieces out of the smithy, across the plaza, and into a clearing behind the playground, where he assembles them. Later, the following five structures can be found:]
[The first is a crazy assortment of reflective surfaces. Placed strategically among them are shallow metal bowls, which have been filled with kindling. A carefully-carved plaque beside this object reads: FIRE.]
[The second consists mainly of buckets on wheels, and buckets on a vertical conveyor belt, all installed in a kind of basin. The sign next to this one reads: WATER.]
[The third is a kind of Rube Goldberg machine. It's not clear what it does, but it appears it can be triggered by tilting the seesaw at one end of it. It is labelled: EARTH.]
[The fourth is a rack holding metal pipes of varying lengths, and glass jugs of differing sizes, and clusters of smaller metal rods hanging from strings. The plaque here says: WIND.]
[The fifth structure is different, and stands a bit apart from the others. It's a small hut, plain on the outside, with only a door in one side and a tiny hole in the other. There's a complicated canopy-like structure shading the door, so that even when it's opened the hut is still dim inside. The sign outside reads: SUNRISE, SUMMER SOLSTICE.]
[After completing his handiwork, Don will rest at the foot of a nearby tree, and pull out his journal.]
Earth. Fire. Water. Wind. What do they mean in your culture?
((Choose your own adventure!
A. Meet Don on his daily routine, any day that isn't ridiculously forward- or back-dated.
B. Catch Don while he's assembling these structures.
C. Come upon the structures sans-Don, and try them out. They are designed to become interesting when triggered by the corresponding element: flames reflect off the surfaces, water turns the wheels, a rock dropped on (or raised under) the seesaw starts the machine, and wind plays the instruments.
D. Explore the fifth structure. It does nothing interesting until June 20, when, if Don's calculations are correct, the rising sun will shine through the small hole and illuminate the inside.* Visitors will then be able to see what Don painted there: careful reproductions of constellations, and complicated equations describing various astronomical phenomena.
E. Answer Don's voice post. You know, if you want to do the obvious thing.))
((*Except that the calendar calls for thunderstorms that day, so sunrise may get rained out.))
[By late morning he's home again, and after lunch he heads out to the smithy. He spends several hours in a back room, working on mysterious projects, then emerges again. He often visits the library afterwards, and in the evenings he can be found around the village, studying a book. Then home to sleep, and he starts all over again.]
[Today Don's projects are finished. He hauls the pieces out of the smithy, across the plaza, and into a clearing behind the playground, where he assembles them. Later, the following five structures can be found:]
[The first is a crazy assortment of reflective surfaces. Placed strategically among them are shallow metal bowls, which have been filled with kindling. A carefully-carved plaque beside this object reads: FIRE.]
[The second consists mainly of buckets on wheels, and buckets on a vertical conveyor belt, all installed in a kind of basin. The sign next to this one reads: WATER.]
[The third is a kind of Rube Goldberg machine. It's not clear what it does, but it appears it can be triggered by tilting the seesaw at one end of it. It is labelled: EARTH.]
[The fourth is a rack holding metal pipes of varying lengths, and glass jugs of differing sizes, and clusters of smaller metal rods hanging from strings. The plaque here says: WIND.]
[The fifth structure is different, and stands a bit apart from the others. It's a small hut, plain on the outside, with only a door in one side and a tiny hole in the other. There's a complicated canopy-like structure shading the door, so that even when it's opened the hut is still dim inside. The sign outside reads: SUNRISE, SUMMER SOLSTICE.]
[After completing his handiwork, Don will rest at the foot of a nearby tree, and pull out his journal.]
Earth. Fire. Water. Wind. What do they mean in your culture?
((Choose your own adventure!
A. Meet Don on his daily routine, any day that isn't ridiculously forward- or back-dated.
B. Catch Don while he's assembling these structures.
C. Come upon the structures sans-Don, and try them out. They are designed to become interesting when triggered by the corresponding element: flames reflect off the surfaces, water turns the wheels, a rock dropped on (or raised under) the seesaw starts the machine, and wind plays the instruments.
D. Explore the fifth structure. It does nothing interesting until June 20, when, if Don's calculations are correct, the rising sun will shine through the small hole and illuminate the inside.* Visitors will then be able to see what Don painted there: careful reproductions of constellations, and complicated equations describing various astronomical phenomena.
E. Answer Don's voice post. You know, if you want to do the obvious thing.))
((*Except that the calendar calls for thunderstorms that day, so sunrise may get rained out.))
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((Feel free to invite someone else to thread with!))
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Any idea what caused that?
[Voice]
It makes her pause a moment before replying. Right now, top of her mind thinking of fire is worrying about the senshi of flame on the special mission. But she moves away from the personal.]
They're the basic elements in certain philosophies. They're considered very important.
[Voice]
What's their significance?
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[This of course is not very scientific, hence the 'said to have', nothing more than discussing the philosophy itself, without comment.]
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I confess. I've got no idea what you're doing.
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[With a "here goes nothing" shrug, he fires up his welder and attaches the pipe to the framework.]
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/misplaced this tag apparently
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B
These are very impressive creations. Are they purely decorative?
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[He stands up from his latest creation, focuses a moment, and magically raises water from the basin into one of the buckets. As any observer might expect, the wheel turns so that the now-heavier bucket is at the bottom.]
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Do you have Fire magic?
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[voice]
I paused for a minute, then continued-
"They also shape a lot of magic. Including mine. I'm an air-and-fire kind of guy, personally."
[voice]
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I paused a minute, then added
"Also, they're my preferred varieties of magic."
[voice]
If you have to combine elements to describe everyone, is that a flaw in the system, or is it strength by simplicity?
[voice] A little late, hope you don't mind
They are four of the six elemental fonons, though - ah, basically just building blocks of the world. Everything is made up of a balanced combination of different matter and fonons, and with practice, people can learn to manipulate the elements for different purposes.
[voice] All the late
[voice] Forever late
There's also technically a seventh fonon - Sound. But it's a mutation of sorts. There's only a few people who can handle it properly without some pretty disastrous side effects.
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